Pakistani Singer Hamera Chana Criticizes Music Industry for Ignoring Legends

In a recent podcast interview, famous Pakistani playback singer Hamera Chana has spoken out against favoritism and bias in the country’s music industry. She claims that legendary and experienced singers are being consistently ignored.

Chana stated that nepotism has grown to a point where opportunities are limited to only a few selected artists. She said favoritism is common, with the same few names being repeated for work while other talented performers are pushed into the background.

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The singer admitted that she herself has faced this bias. She described the situation as sad but real, stressing that the industry needs to include all artists and prioritize true talent.

Speaking about legendary artists, Hamera Chana pointed out a common irony. “People often say, ‘You are a legend,’ but no one thinks about whether these legends have any work,” she said. She criticized the habit of only appreciating artists after they pass away or when they return from abroad, suddenly being treated as stars.

Hamera Chana rose to fame in the 1990s with her film songs. She is a Nigar Award winner and is also known for singing the Sufi poetry of Shah Abdul Latif Bhittai on Pakistan Television.

FAQs About Hamera Chana’s Comments

1. Which singers are being ignored in Pakistan?
Veteran and legendary playback singers, including artists like Hamera Chana herself, often do not get new projects despite their experience, as opportunities frequently go to a smaller, favored group.

2. What did Hamera Chana say about favoritism?
She said the music industry practices strong favoritism and nepotism, repeatedly working with the same few artists and ignoring others who are equally or more talented.

3. Are veteran singers completely forgotten?
Not forgotten, but often overlooked for new work. They receive praise as “legends” but struggle to find consistent professional opportunities in the current industry.

4. What is the solution according to her?
Hamera Chana believes the industry should operate more fairly, prioritize real talent over connections, and make sure to include all artists, not just a favored few.