Film Industry “Cannot Be Revived,” Says Veteran Director Syed Noor

Veteran Pakistani film director Syed Noor has made a stark statement about the country’s cinema, declaring that the Pakistani film industry “cannot be revived.” He shared these thoughts during his address at the opening of a two-day film festival organized by the University of Punjab’s Department of Film and Broadcasting.

Noor emphasized that the old era of filmmaking is over and a new beginning must be led by the current generation of students. “It is essential for these children to know about the film industry,” he stated, highlighting the importance of formal education in cinema for youth.

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Contrary to aiming to restore the past, Noor focused on building anew. He explained that films are based on “complete fiction,” citing international examples like zombie movies, and encouraged students to create their own stories. He offered full support, saying, “I am ready to provide all the equipment; they should make films themselves.”

He expressed regret that many talented individuals have moved towards television instead of film. In a bid to spur creation, he announced a personal incentive: “Next year, I will give 200,000 rupees to the number one film.”

FAQs About Syed Noor’s Statement

1. What did Syed Noor mean by “cannot be revived”?
He meant that the traditional Pakistani film industry, often called “Lollywood” in its old form, is a thing of the past. His focus is not on reviving that specific model but on building a completely new, modern film industry with educated youth.

2. Why is he talking to university students?
He believes the future lies in formally training the new generation in filmmaking techniques and storytelling, rather than trying to recreate the outdated systems of the past.

3. Is there no hope for Pakistani cinema?
His comments are not about hopelessness but about direction. He sees hope in a new, educated generation creating fresh content with modern techniques, moving away from trying to resurrect the old industry’s formula.

4. What is his solution?
His solution is education and practical support. He advocates for film academia, has offered resources to students, and is providing financial incentives (like the 200,000 rupee prize) to encourage new, quality film production.